{seventeen|18|19}: Thunderball (1965): After a solid trio of {movies|motion pictures|videos}, 'Thunderball' proved itself as an indulgent exercise. The film turns completely {absurd|preposterous|silly}, solidifying the growing amusing book fantasy elements to {the idea|the purpose|the actual} of overdrive. The underwater scenes (which {accounts|bank account|consideration} for {practically} {an one fourth|a 1 / 4} of the film) {show|demonstrate|confirm} overlong and tedious and the gadgets, which until now accompanied the {movies|motion pictures|videos}, take centre place. Thunderball would {in the end|finally} set the precedence for over the top Bond films. {Almost all|Most|Every} in all, it's a film made for money (which it did, it still remains the most successful film adjusting for inflation), designed for pleasure. Still, Rik Van Nutter's turn as Felix Leiter is the strongest Leiter to date, and Luciana Paluzzi's Fiona Volpe has constantly been imitated as a villainess, but never equalled.For Movie

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16: Quantum of Solace (2008): Following {On line casino|Online casino|Gambling establishment} Royale's undeniable brilliance, QUALITY OF SERVICE was undoubtedly something {of the|of any|of your} let-down. Too complicated, too gritty, too much {unstable|unreliable} cam, the critics said. These criticisms all {breathing|inhale|breath of air} a certain amount of truth. Hampered by the 2008 Writer's Strike, the film certainly feels {imperfect|unfinished|partial}, and in the hands of Marc Forster, who joins Lee Tamahori and Michael Apted as {company directors|owners|administrators} who could not understand the material within their grasp, is doing turning this film into an Freudian psychosis rather than thriller. Still, Daniel Craig is excellent, there is a genuine sex charm not seen {because the|considering that the} 60s and some of the action sequences (such as the aeroplane chase and the motorcycle sequence) are absolutely stunning, though the questionable use of forensic editing makes other {moments|displays|views} unwatchable. It is a reasonably good film, but nowhere {nearby the|near to the} film it could have been.

12-15: The Man With The Golden Gun (1974): {Very much|Many} like 'QOS', this is one of the {higher|better|increased} missed opportunities in the series. The world's {finest|best|very best} secret agent compared to world's greatest assassin? {An excellent|An awesome|A great} concept, although the end result is a scrappy affair. The over {dependence|reliability} on comedy and the unwelcome return of Sheriff Pepper do little to serve the film. {Yet|Nevertheless|Although} it does have a wonderful interplay between Captain christopher Lee as Francisco Scaramanga and Roger Moore. {Regardless of the|Inspite of the|In spite of the} undeniable sex appeal of Britt Ekland and Maud Adams as the {movies|motion pictures|videos} bombshells, its the {biochemistry|hormone balance|biochemistry and biology} {between|involving the|between your} two male leads {this is the|which is|this provides the} more exotic and enthralling, an interplay repeated in 'Licence To Kill' and 'Skyfall', but {hardly ever|seldom|almost never} in between.

14: {Down the road|Future} Never Dies (1997): {This was|That was} pretty clear from 'TND' onwards that Touch Brosnan was no much longer starring in Bond {films|videos}, but generic B-action {films|videos}. {The end|The finish} itself, where {Relationship|Connection|Attachment} and Chinese secret agent Wai-Lin mercilessly gun down a ship of men, definitely feels at home in a 'Rambo' movie than a Bond movie. Jonathan Pryce wastes {him self|him or her self} as Elliot Carver, the media mogul with a taste for genocide. Teri Hatcher is horribly underwritten as Paris Carver and her apparent love for Bond is nowhere to be seen. Director Roger Spottiswood (like Michael Apted, Lee Tamahori and Marc Forster) {plainly|evidently} has no concept of Mission impossible, and the result is testosterone fuelled example of sadism. On the plus side, Pierce Brosnan is strong, accounting for a suaveness peculiarly absent from the series since 'You Only Live Twice'. And Michelle Yeoh really {moves|swings} ass as Wai-Lin!