{Inside|Within just} a previous post, {We|I actually|My spouse and i} discussed the sad {condition|express|point out} of mainstream horror. {In fact|Truly|Basically}, that was my original intention. However, even writing about the pathetic retreads and overall lack of imagination that has {troubled|attacked} Hollywood left me {worn out|tired|fatigued}. Instead, I picked on Dennis Quaid for a few paragraphs and {proceeded to go|gone|travelled} to sleep.

Yang kou ,CTV8 HD, ទេពឥន្ទ្រីបក្សីស្នេហ៍, Tep En Try Bak Sey Sneh, Episode 49, Full New HD

I'd much rather expend my energy writing about the {films|videos} that made a real impression on me. The following movies made {me personally|myself} jump laugh, and squirm respectively. Most importantly, after I watched them {We|I actually|My spouse and i} didn't feel like my time had been {lost|squandered|thrown away}.

{Within my|Inside my|During my} {view|judgment} (obviously), these are the best {impartial|self-employed|3rd party} horror movies of 2011, which makes them the best horror movies of 2011. Classifying them as independent might {be considered a|become a|certainly be a} misnomer. I'm merely basing my classifications on the {truth|reality|simple fact} that two of them were not released {broadly|extensively|generally} and Insidious was performed outside of the {studio room|facilities|facility} system for less than $1 million.

Regardless, these movies prove that there is life still in the horror genre and that there are still some writers and {company directors|owners|administrators} with clever, inventive, and audacious ideas.

Insidious
{Coming from|By|Via} the writer/director of the first Saw, Leigh Whannell and James Wan, {Subtle is|Dangerous is} a smart take on the haunted house/haunted kid movie. Whannell and Wan pay homage to a number of genre classics, while creating something original and scary as hell. The movie has a definite sense of pacing. Seemingly mundane details in the first {take action|work|action} become important as film production company progresses. The first half the movie has some scariest {occasions} that I have seen in {quite a long time|quite a while|a very long time} and a sense of unease pervades {the complete} movie. In addition, Insidious doesn't show a drop of blood, which proves that PG-13 {does not|won't|will not} have to mean a movie is toothless and tame.

Tucker & Dale Vs. Evil
{Among|Certainly one of|One among} my favorite directors is Mike Raimi. Although Raimi became famous for his Spiderman movies, he made his bones writing and {leading|pointing} the Evil Dead {business|operation}. Mixing grim humor and gore, the Evil {Deceased|Departed|Dry} series brilliantly intermingled {scary|apprehension|fear} and comedy and created something original and {lively|radiant|attractive}. With the exception of Raimi's masterful Drag {Me personally|Myself} To Hell, I {have not|don't have|haven’t} enjoyed a horror/comedy as much as T&D in many moons.

Riffing on movies as austere as Deliverance and as low-brow as Wrong Turn, T&D is horror/comedy of {mistakes|problems}. Tucker and Dale are two best friends {travelling|touring|visiting} at a run-down {Western|Western world} Virginia mountain house. {They will are|That they are} mistaken for {homicidal  ?  bloodthirsty|deadly}, cannibal rednecks by asshole {college or university|school} kids recruited from teen slasher flick central casting. Hilarity and gore (lots {and a lot of|and plenty of|and several} gore) {occur|happen}. The movie {functions by|operates by} turning stereotypes on their {mind|brain} and having a very sweet and believable {companionship|a friendly relationship|camaraderie} between Tucker and Dale. Though gory, the {gets rid of are|wipes out are} played for {fun|laughters|a laugh} (although there are some awesome ones {available|found} here... incorporating tree branches and a wood chipper! ).